- Ams dmx 15 80s digital delay manual#
- Ams dmx 15 80s digital delay pro#
- Ams dmx 15 80s digital delay series#
- Ams dmx 15 80s digital delay windows#
The layout of the rooms allows for great eye contact between engineers and musicians, ensuring good communication between everybody at all times. There is also a separate small live room which can be used as an isolation booth or another very dry space. Between the curtains and the screens, dry sounds are easy to achieve.
Ams dmx 15 80s digital delay windows#
The windows all have heavy curtains which can be drawn to change the acoustics if required. However we find the acoustic is quite mellow and very usable. The live room obviously has a big sound, which is great for capturing different room ambiences. That ability combined with our huge instrument and amplifier collection is a massively powerful creative tool for any session. We often set up lots of different recording areas and create a palette of available sounds that people can easily move between.
As well as being good for large live sessions, the abundance of space in these rooms is fantastic for album tracking sessions as it allows various or elaborate recording chains left set up throughout sessions. We specifically designed the live room and control room so that there would be plenty of space. We have large acoustic screens so we can configure the room in whichever way is necessary. This is a great room for bands that wish to record live with good visibility, separation and plenty of space for each musician to set up anything they would want. Our main 90 sq metre two-storey live room is an extremely versatile recording space. These include various tape echoes (of which we are big fans), an EMT 140 reverb plate, classic AMS and Eventide effects, Pultec EQ's, LA-2A and Chandler compressors to name a few.
In addition to our mic preamps collection we have a great mix of vintage & modern outboard, with many different examples of classic compressors, reverbs, delays and multi-effects. The Rembrandt has 40 beautiful mic pres, however the control room has many other options if you're looking for different flavours. We also have both Dolby SR and Dolby A 24 track units for these machines which in our opinion is a part of why people like the sound of tape. However there is no doubt that the build quality and ease of use on these machines is second to none. Obviously everybody has their favourite sounding tape machine, with the Studers being up there for most people. This machine has become one of the most sought after multitracks for music recording.
Ams dmx 15 80s digital delay pro#
Recording is based around a Pro Tools HD2 system (32 in / 48 out), loaded with many plug-ins, and a 24 track Studer A827 2" tape machine with Dolby. There is also a very intuitive system for recalling all aspects of the desk. The Supertrue system allows automation of faders, mutes, auxes and also the ability to share any parameter between the small and large faders, making it incredibly flexible in a tracking or mixing situation. The automation and control of this desk is of particular note, being easier to use than other large format console automation systems. This desk features VCA compressors and gates on every channel, with eq on both large and small faders. The control room is based around an 40 channel / 80 input Amek Rembrandt desk w/Supertrue automation. The two storey high live room, smaller dry room and control room are all lit with natural light from the large original church windows. It is highly recommended the battery is replaced every 5 years as routine maintenance on these units to avoid severe damage to the processor card.Studio 1 is our larger studio, with an abundance of space in both live room and control room.
Ams dmx 15 80s digital delay series#
Please Note: It is very important all vintage AMS RMX & DMX series rackmounts are powered for at least an hour at least every 6 months or risk of NVRAM battery leakage is greatly increased.
Ams dmx 15 80s digital delay manual#
The operation manual can be found here. Handy recall sheet here. However, as with all digital emulations of vintage hardward, nothing can match the sound of the real thing.
Their sound is still so coveted that Universal Audio have now collaborated with AMS to produce the UAD plug-in version. The DMX can be heard on thousands of recordings from the 80s to the present day and was certainly one of the core studio staples that defined the musical soundscape of the 80s. Today AMS units such as this can still be found in regular use in top studios worldwide. Manufactured from 1979-1985 these were the cutting edge of digital technology AMS designed and built these with great care and attention to detail and they soon became ubiquitous in studios worldwide. Finding a vintage digital AMS rack unit in top operating condition is becoming ever-harder ‘cheap’ examples can be found online, but they can require a great deal of tech time, and sometimes fixes are simply not possible.
0 kommentar(er)
